Norman Lear’s ‘All in the Family’ remains watchable — and topical

The death of Norman Lear this week has reminded me of the Globe’s bracket competition last year for the best TV series of the past 50 years.

The final four contenders were “The Sopranos,” “The Mary Tyler Moore Show,” “All in the Family,” and “Seinfeld.” I feel certain that “The Sopranos,” the show that changed TV and ushered viewers into the cable realm, would ultimately come out on top. It’s my No. 1 series of all time, so I suppose I was not objective.

But the ultimate winner was another series that changed TV: Lear’s “All in the Family.” And I was thrilled, despite my “Sopranos” bias. The 1970s show, I wrote, had “changed TV into something more honest and ambitious than it had ever been before. It elevates the conversation around TV, too, making it more pertinent and personal. … It introduced ideas that are still playing out on TV more than 50 years after its premiere, and any topical comedy out now owes it a huge debt.” I also noted that the “All in the Family” win served as a reminder that the show still has something to offer: “The dominant themes of ‘All in the Family,’ not least of all bigotry, remain acutely relevant in 2022, painfully so.”

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