How Sanford and Son Cleaned Up Redd Foxx’s Act to Create a TV Icon (continued)

Fred is more than just a cantankerous old man, he is jealous, possessive, and manipulative. He fakes arthritis when asked to work, of course in one episode his hands still perfectly fit a broom. He tricks the singer Lena Horne to visit his home by convincing her Lamont is a sick young boy, and then doubles down by explaining the many different kinds of sickness there are. Lamont gave as good as he got, with classic lines like “At your age, you don’t have no wild oats, you got shredded wheat.”

Fred’s jokes were frequently cruel, but Foxx kept the character lovable. He was nominated for an Emmy. which he lost to Carroll O’Connor, and would go on to get two more nominations. Fred Sanford made people laugh, but rarely challenged the audience.

Like All in The Family, Sanford and Son got laughs from the generation gap and the cultural divide. “Watts Side Story,” from season 2 in 1973, introduces Mrs. Providencia Fuentes (Alma Beltran), a Puerto Rican mother, and her grown children Maria (Migdia Chinea), and Julio (Gregory Sierra), who would become a series regular. Both Mrs. Fuentes and Fred do not approve of interracial romance, and flip out when Maria and Lamont date. This is not a problem for the younger characters.

“If you see the handwriting on the wall, you’re in the toilet.”

Both of Lear’s series highlight humor through overt prejudice. But while All in the Family had a political purpose, bigotry was merely a joke device on Sanford and Son. The humor was based on the broadest of generalizations. When Fred has to get his teeth fixed, in the episode “In Tooth or Consequences,” he’d rather go to white dentist than a Black one. An Asian character played by Pat Morita, who Foxx mentored in comedy clubs, is named “Aw Choo.” Fred’s favorite endearing term for his son is “big dummy.” The n-bomb is first detonated in the third episode, “Here Comes the Bride, There Goes the Bride,” with a teleplay by Aaron Ruben.

Foxx fought with NBC and the series’ producers to include this kind of humor. In spite of his edgy delivery, Foxx was the first African American comic to headline Las Vegas when he played the Aladdin Hotel in 1966. He proved himself clean enough for TV after appearing on The Tonight Show, The Joey Bishop Show, and The Flip Wilson Show. But his reputation preceded him. When Quincy Jones submitted “The Streetbeater” as the theme song, he did not believe any network could “put Redd Foxx on national TV.”

The dirty standup also brought along his biggest successors. Richard Pryor wrote two episodes with comedian Paul Mooney during the show’s second season: “The Dowry,” which was episode 3, and episode 11 “Sanford and Son and Sister Makes Three.” Pryor had played Foxx’s Los Angeles comedy club, and frequently partnered with Mooney, who also wrote for the film Richard Pryor: Live on the Sunset Strip, and the much-too-short-lived TV series The Richard Pryor Show. As a stand-up known as the “Godfather of Modern Black Comedy,” Mooney was part of the post-Lenny Bruce wave of boundary-pushing comics like Dick Gregory, George Carlin, and Pryor. He would go on to write for In Living Color, The Chappelle Show, and play Junebug in Spike Lee’s 2000 film Bamboozled.

In spite of its commitment to pure comedy, Sanford and Son still found ways to lacerate the times with cutting edge social commentary. The series took on racial profiling in “Fred Sanford, Legal Eagle.” With a teleplay by Gene Farmer from a story he wrote with Paul Mooney, the season 3 episode ran on Jan. 11, 1974. In the episode, Lamont decides to fight a traffic ticket after part-time lawyer/full-time tailor Sonny Cochran (Antonio Fargas) advises he “throw himself on the mercy of the court.” Just as Lamont is ready to represent himself, Fred mounts his own defense. “What problem do you have with Black drivers,” Sanford demands to know, seeing only African Americans on trial in the courtroom. “Why don’t you arrest some white drivers?”

“We’re gonna do like the Red Sea and split.”

Foxx wanted to know the same thing about Black writers on his show. Sanford and Son had enough white producers to cast a Tarzan film, but white writers continued to dominate the scripts. Between this and a substandard contract, considering he saved NBC in the ratings, Foxx walked off the series during season three. Sanford And Son was an instant hit because of Foxx, and he wanted 25% ownership. Tandem Productions sued him for $10 million.The best thing to come out of it was the season 5 episode “Steinberg and Son,” which spoofed the show, the series which created it, and the lawsuit itself.

After season six ended in March of 1977, Foxx defected to ABC to host The Redd Foxx Comedy Hour. The variety show was canceled after a month. He came back to star on NBC’s retooled versions of the show, Sanford Arms, which premiered on Sept. 16, 1977, and its sequel series Sanford. Neither lasted long. Foxx kept the 1951 Ford F1 truck which appears in every episode.

After the series ended, Wilson took the lead in the CBS sitcom Baby, I’m Back, which ran for 13 episodes. He played Oscar Madison to Ron Glass’ Felix Ungar in ABC’s The New Odd Couple. He also starred in BET’s Demond Wilson and Company, and the TV series Girlfriends. Wilson’s last film appearance was in the 2000 prison comedy Hammerlock. His last stage role was in a 2011 touring production of the faith-based play The Measure of a Man. In 1995, Wilson formed Restoration House of America, which provides rehabilitation services for former prison inmates.. He has written eleven children’s stories, and several books, including Second Banana: The Bitter Sweet Memoirs of the Sanford and Son Years.

In 1989, Eddie Murphy cast Foxx as craps dealer Bennie Wilson in the film Harlem Nights. The film also starred Pryor and Della Reese, who was cast as Foxx’s co-star in his comeback sitcom, The Royal Family. The working title for the series was “Chest Pains.” Foxx suffered a heart attack on Oct. 11, 1991, during rehearsals for the show. His fellow cast members initially thought he was joking. Foxx died later that night at the hospital.

After 50 years, Sanford and Son continues to inspire comedy and invite controversy. Its groundbreaking assault on social sensibilities continues to rabbit punch modern sensitivities, right in the funny bone. The original run only lasted six seasons, but neither Redd Foxx nor Sanford and Son can ever be canceled.