Erika Christensen Shares Why ‘Will Trent’ is Unlike Any Other Police Procedural You’ve Seen

Seattle-born actor Erika Christensen couldn’t put the pilot script for “Will Trent” down when she first read it.

“It was just so well written,” Christensen says of the police procedural crime drama, which debuted on ABC at the start of January. “It just reminded me of the likes of ‘NYPD Blue’ and other classic police procedural dramas. It kind of felt like a throwback.”

Based on Karin Slaughter’s “Will Trent” novel series, the show revolves around the titular detective, who after being abandoned by his parents as a child grows up in the brutal conditions of Atlanta foster care system. That doesn’t stop him from becoming a special agent in the Georgia Bureau of Investigation, and he uses his own history to make sure that no one is abandoned like him.

“I was just completely drawn in by the scripts and characters,” continues Christensen. “It was just something that I really wanted to see on screen. I also wanted to explore it as an actor, too.”

As she was reading the script, though, Christensen didn’t actually know which character in “Will Trent” she was being asked to portray. “There are two female leads. I wasn’t sure if it was Angie or Amanda. When I found out that it was Angie, it made perfect sense. It just clicked in my mind.”

In the TV version of “Will Trent,” Angie is a detective with the Atlanta Police Department. She’s also a recovering drug addict and previously had a romantic relationship with Will, as the pair were raised in the same group home together.

“She’s tough and harsh. But she’s also very layered. She’s self-aware. She’s just a beautiful, interesting and well-rounded person that you want to unwrap the layers of. There’s just something about playing someone who can hold their own against drug dealers, her lieutenants or anyone really. I really relate to her being so comfortable in her own skin.”

Christensen admits that she wasn’t actually aware of Slaughter’s “Will Trent” novels before reading the script.

But rather than diving deep into them as part of her preparation, Christensen was made aware that the two entities are “very distinct.” In fact, only “three books have a direct storyline on show.”

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