For audiences, Three’s Company was all about misunderstandings, laughter, and perfect comedic timing. But few fans know that during the filming of one real scene used in the show, emotions between two cast members quietly boiled over.
The incident reportedly occurred while shooting a kitchen scene featuring Chrissy Snow (Suzanne Somers) and Janet Wood (Joyce DeWitt) — a moment meant to be lighthearted and playful on screen.
According to crew members present that day, the tension began during multiple retakes. The scene required precise physical comedy, including tightly timed movements and overlapping dialogue. After several failed takes, frustration grew.
Sources say Suzanne Somers wanted to exaggerate the comedic delivery, while Joyce DeWitt preferred to keep the scene more natural and grounded. What began as a small creative disagreement quickly turned into visible irritation.
At one point, cameras were rolling when the exchange between the two actresses became unusually sharp. While the dialogue followed the script, the tone was noticeably colder — something longtime fans have since pointed out when rewatching the episode.
The director called for a pause, and filming was temporarily halted as both actresses stepped away from the set. Crew members recalled a tense silence filling the studio, a rare moment on a show known for its upbeat atmosphere.
After a short break, production resumed and the scene was completed. The final cut remained in the episode, though viewers were unaware that the smiles masked real frustration.
In later interviews, cast members admitted that the pressures of fame, exhausting schedules, and rising contract disputes had begun to affect relationships on set. While the disagreement that day was brief, it symbolized the growing strain behind the scenes during the show’s peak years.
Despite moments like these, Three’s Company continued to thrive, becoming one of the most iconic sitcoms in television history — proving that sometimes, even genuine tension can exist just beyond the laugh track.
