When CBS announced a reboot of the classic legal drama Matlock, fans of the original raised eyebrows — could anyone live up to Andy Griffith’s iconic performance? But with Kathy Bates now stepping into the courtroom, the network isn’t trying to recreate the past — it’s reimagining it for a modern era.
A Legend Reimagined
The original Matlock (1986–1995) followed the sharp-witted, folksy defense attorney Ben Matlock, who solved cases with charm, persistence, and old-school detective instincts. It was a staple of daytime TV reruns and won millions of fans across generations.
Now, nearly three decades later, Matlock returns with Bates playing Madeline Matlock, a brilliant and experienced attorney who reinvents herself by joining a high-powered firm. This new version doesn’t just flip the gender of the lead — it rethinks the courtroom drama entirely, adding fresh energy and sharper social commentary.
Why This Reboot Stands Out
In an age dominated by crime procedurals and fast-paced thrillers, Matlock aims to slow things down, focusing on character-driven legal battles that mirror real-world moral dilemmas. Bates brings nuance, gravitas, and subtle fire to her portrayal of Madeline — a character who isn’t afraid to question authority or challenge her younger, more ambitious colleagues.
With Jennie Snyder Urman (creator of Jane the Virgin) at the helm, the reboot blends classic legal drama with clever writing, layered characters, and topical themes — from corporate corruption to workplace bias.
A Show for Loyal Fans & First-Timers
The new Matlock isn’t just a tribute to the past; it’s a timely reminder that justice is personal, and experience matters. Whether you’re a longtime viewer or new to the franchise, this reboot offers something different from the typical courtroom show — a mix of heart, intellect, and tension wrapped in CBS’s signature polish.
With its premiere set for the 2025–2026 season, Matlock could be one of the network’s most talked-about entries — a courtroom drama with history, heart, and a fresh edge.
