When it comes to fashion, the Met Gala is the Olympics of style—and who better to bring home the gold than Simone Biles herself? But what really happened behind the scenes of her jaw-dropping, 88-pound, three-in-one Met Gala gown? Let’s dive into the untold story of strength, symbolism, and style.
“How do I feel in the dress? It’s definitely heavy, but I feel beautiful, strong, and empowered,” Simone Biles said yesterday at the final fitting for her Met gala dress. Designed by Beckett Fogg and Piotrek Panszczyk of Area, the three-in-one outfit consists of a hand-embellished skirt covered in Swarovski crystals and weighing 88 pounds; a minidress underneath; and a glittering black catsuit decorated to look like a starry night sky (though each of the stars is really Athleta’s logo, the chi).
It’s a striking debut for the superstar athlete, Area, and Athleta, all of whom are attending the event for the first time to celebrate the new exhibition, “In America: A Lexicon of Fashion.” Biles, a brand partner of Athleta, is attending as the company’s guest. Working with stylist Leslie Fremar, Athleta came to Area to create an ensemble for Biles, fresh off the Tokyo Olympics. “When we talked to them, even though they come from such a different place from us, we talked about the same things,” said Kyle Andrew, chief brand officer at Athleta.
To link the three distinct, disparate parties—an activewear company, a luxury fashion label known for its penchant for crystals, and the greatest gymnast of all time—they focused on the idea of performance in all of its forms. “Okay, you have your active brand, you have an athlete, and you have a hyper- glamorous label from New York. Where do we all intersect? What’s the common ground? And the one word was performance,” said Panszczyk. “It’s a word that has so many different connotations. People see it as entertainment, as workout clothes, as being an artist, as singing.”
The inspiration for the look ended up being showgirls, particularly Josephine Baker. The skirt and dress are covered with crystals arranged to look like ostrich plumes. But Baker was not just a renowned performer; she was an activist and the first Black woman to star in a major film, 1927’s Siren of the Tropics. The way Baker used her power as a star to advocate for civil rights and the French Resistance mirrors Biles’s own activism. It couldn’t be a more timely statement, as it’s only been a few months since Biles publicly withdrew from some Olympic events to protect her well-being in a notoriously demanding sport. The catsuit is also a nice nod toward Biles’s accomplishments as a gymnast—the sparkle is not so different from what you’d see on a leotard.
Simone Biles didn’t just make fashion history—she redefined it. In a world obsessed with appearances, she reminded us that true elegance lies in meaning. Whether it’s on the balance beam or the red carpet, Simone continues to show us that power is beautiful, and beauty is powerful.
