
The Sopranos is still considered by fans to be one of the greatest dramas of all time. This is, in large part, due to the remarkable writing, complex characters, and their relationships with one another. The HBO series is full of flawed gangsters and tragic victims, all carrying their own trauma and driven by complicated motivations that are explored through deeply philosophical and psychological plotlines. While these characters are always interesting and often amusing, however, none are good people or truly likable. Tony Soprano and his crew are morally reprehensible, as are most of his friends and associates. Ironically, in a show full of murderers and heartless criminals, one of the characters that still receives the most hate from viewers is Tony’s young son, Anthony JR.
A.J. Soprano begins the series as a young boy and grows into a disturbed and struggling man over the course of six seasons. By the final season, the Soprano heir certainly doesn’t have many positive traits to endear him to audiences. Often selfish, lazy, and unintelligent, the young man becomes a reflection of many of his father’s worst qualities. While the flaws are there, it doesn’t mean the hate this character receives is justified.
A.J. Soprano Was Shaped by His Environment
A.J. Soprano may have grown to be a less-than-honorable man, but it’s difficult to imagine him turning out any other way, given how he grew up. While he didn’t always understand it, he was constantly surrounded by criminals and poor role models. At the best of times, Tony was an absentee father, spending days and nights running his small empire and enjoying its benefits. When he was around, A.J.’s father exhibited a lack of emotional control, often flying into rages, yelling, and breaking things around him. The boy learned early that, in his family, being a man meant being angry and aggressive.
Further, A.J. never received consistent guidance or discipline while growing up. Despite his tough-guy demeanor and tendency to talk to Dr. Melfi about his desire to be a strict father, Tony rarely enforces set rules for his son or follows through on punishments. He might get angry and lay down the law for a few days, but he would inevitably get distracted and move on to something else. Further, he never laid down consequences that would truly impact A.J. The young man always had plenty of money to spend and lots of unsupervised time to enjoy it.
Carmela was little better in this regard. After finding out he had been in a fight at school, her chief concern was A.J. paying her back for his ruined shirt rather than discouraging physical altercations or learning what had happened. In later years, she expresses fear about how he will turn out, but she never attempts anything other than throwing money at the problem. When A.J. lies around the house all day and spends his nights in clubs, she gives him money to buy a suit for job interviews. When he suggests he may join the military, she gets Tony to buy him a new car and get him a job in the film industry. Over time, A.J. comes to see, whether consciously or subconsciously, that upsetting his mother will often lead to a windfall for himself.
Tony and Carmela Soprano Discouraged Their Son’s Best Qualities
In addition to inadvertently promoting negative qualities in A.J., Tony and Carmela also regularly discouraged some of his best qualities. While constantly pushing Meadow to achieve academically, they did the exact opposite with their son. They may have lectured him about his grades, but whenever he exhibited real intellectual curiosity, they responded with scorn. When reading philosophy made him question his faith and the meaning of life, Tony reacted with anger and frustration while Carmela insinuated that he was betraying his family’s Catholic heritage. When A.J. became interested in history and sought to debate the morality of European colonialism, Tony again responded with anger along with a rant about the virtues of Christopher Columbus. Carmela, meanwhile, was completely dismissive, showing no interest in engaging in a conversation.
A.J.’s character arc isn’t just another part of the show, either. In many ways, his fate is at the heart of The Sopranos. From the environment he grew up in and how he turned out, to how Tony views him, A.J. reflects the greatest theme of the show. A.J.’s world is ultimately shaped by generational trauma.
A.J. Soprano Reflects the Primary Theme of the Series
At its core, The Sopranos was an exploration of psychology and the nature of generational trauma. Through numerous conversations between Tony and Dr. Melfi and the examination of his memories, viewers come to see that that mob boss was shaped by his parents and continues to carry the emotional scars of his childhood. His father drew him into the mafia and his mother was a constant source of anxiety in his life. Even as an adult, he continued to struggle with depression because of how he grew up. By the end of the series, Tony seems to have gained some insight into these issues and bears a great deal of anger towards both his parents. Sadly, this doesn’t prevent him from passing on his trauma to the next generation.
The fate of A.J. stands as Tony’s greatest failure in life and highlights the greatest theme of The Sopranos. While he doesn’t follow his father’s path, A.J. becomes a sad and broken man in his own way and continues a cycle of trauma stretching back generations. If for no other reason, this makes the character undeserving of the hate directed at him.
A.J. certainly isn’t likable, but he was made that way and is deserving of some understanding. He is ultimately a victim in The Sopranos and a symbol of its primary message. As such, the Soprano heir is deserving of greater attention from fans.